Own equipment includes:
- Sound Devices 833 portable compact mixer-recorder
- Sound Devices Mix Pre 10 II 32 Bit Float Audio recorder
- (X2) Audio Ltd A10-TX transmitter (with build-in timecode-enabled recorder and phantom power)
- Audio Ltd A10-RX two-channel digital diversity receiver
- Wisycom MCR54 (quad true diversity receiver)
- (X2) Wisycom MPT60 Transmitter (with Timecode and 32-Bit recording)
- Sound Devices SL-2 (dual Superslot wireless module)
- (X4) Sennheiser SK 100 G3 Bodypack Transmitter
- (X4) Sennheiser EK 100 G3 Diversity Receiver
- DPA 6060 & Sanken Cos-11D lavalier microphones
- Sennheiser MKH 416 shotgun microphone (exterior)
- Sennheiser MKH 50 super-cardioid microphone (interior)
- (X2) Line Audio CM4 cardioid microphone (matched pair, stereo setup)
- (X2) Ultrasync One, Timecode sync box (cables for Arri, Red, Sony, Canon, Blackmagic…)
- Ambient LockitSlate Take 2 Digislate
- Sennheiser IEM receiver with headphones (monitoring system for director, script supervisor…)
- Betso Bowtie wideband omnidirectional antenna
- Ambient QX 5100 Boom Pole (4.2m)
- Pro Tools 12 (industry standard DAW)
- Izotope RX10 Advanced (Audio repair software)
- (X2) Adam S2a + Sub 8 speakers
- Motu Track 16 audio interface
- iMac 3.2 GHz Intel Core i7
Additional equipment can easily be hired to satisfy the production’s needs.